sanjay22dahiya
October 4th, 2005, 06:46 AM
Madhubala was without doubt the most beautiful Hindi Film heroine ever.
And also perhaps the most underrated actress ever with her beauty
attracting more attention than her performances. She was brilliant in comedy
with her sense of comic timing spot on and she came up with
performances of high dramatic calibre in Amar (1954) and the unforgettable
Mughal-e-Azam (1960).
Born in abject poverty, the 5th of 11 children, Madhubala began life in
the film world as a child star, Baby Mumtaz, in films like Bombay
Talkies Basant (1942). It was Kidar Sharma who gave her a break as heroine
opposite Raj Kapoor in Neel Kamal (1947).
However it was with the Bombay Talkies suspense thriller Mahal (1949)
that Madhubala became a star. Aaega aanewala from the film remains her
signature song till today! A spate of films followed opposite the top
leading men of the day - Ashok Kumar, Rehman, Dilip Kumar, Dev Anand but
by the mid 1950s when some of her major films like Mehboob Khan's Amar
flopped, Madhubala, the most beautiful actress in the country was
declared 'box office poison!' Further, she had gotten involved with Dilip
Kumar and this took its toll on her as she could not face her father's
opposition of him and ultimately had to bow out of Naya Daur (1957)
opposite him following a scandalous court case.
She however bounced back with a string of hits in the 1958-60 period -
Phagun (1958), Howrah Bridge (1958), Kala Pani (1958), Chalti ka Naam
Gaadi (1958) - all among her more memorable films and of course
Mughal-e-Azam (1960).
As the club dancer in Howrah Bridge Madhubala never looked more
beautiful or alluring as she swayed to the seductive notes of Aaiye Mehrbaan.
And she matched Kishore Kumar step by step in his madcap antics in
Chalti Ka Naam Gaadi. However it was Mughal-e-Azam that saw perhaps her
greatest performance as the doomed courtesan Anarkali. The film showed off
the finely modulated depth she could bring to her performances if given
the opportunity. It is an outstanding performance in an outstanding
film.
Tragically by now she was diagnosed as having a hole in her heart and
her illness forced her to abbreviate her career. She also plunged into a
loveless marriage with Kishore Kumar and lingered on for nine years
till her death in 1969.
She did have the odd release in this period like Passport (1961), Half
Ticket (1962) and Sharabi (1964) but they were mostly old films that
managed to limp towards release. In fact Jwala released almost two years
after her death in 1971! She did try making a comeback opposite Raj
Kapoor in Chaalaak (1964) but collapsed on the sets on the very first day
of shooting and the film was shelved.
Even today the very mention of the name Madhubala conjures up the image
of those dancing eyes, that lopsided smile...
Memorable Films
Dulari (1949)
Mahal (1949)
Badal (1951)
Sangdil (1952)
Amar (1954)
Mr. and Mrs. 55 (1955)
Gateway of India (1957)
Chalti ka Naam Gaadi (1958)
Howrah Bridge (1958)
Kala Pani (1958)
Phagun (1958)
Barsaat ki Raat (1960)
Jhumroo (1960)
Mughal-e-Azam (1960)
Half Ticket (1962)
And also perhaps the most underrated actress ever with her beauty
attracting more attention than her performances. She was brilliant in comedy
with her sense of comic timing spot on and she came up with
performances of high dramatic calibre in Amar (1954) and the unforgettable
Mughal-e-Azam (1960).
Born in abject poverty, the 5th of 11 children, Madhubala began life in
the film world as a child star, Baby Mumtaz, in films like Bombay
Talkies Basant (1942). It was Kidar Sharma who gave her a break as heroine
opposite Raj Kapoor in Neel Kamal (1947).
However it was with the Bombay Talkies suspense thriller Mahal (1949)
that Madhubala became a star. Aaega aanewala from the film remains her
signature song till today! A spate of films followed opposite the top
leading men of the day - Ashok Kumar, Rehman, Dilip Kumar, Dev Anand but
by the mid 1950s when some of her major films like Mehboob Khan's Amar
flopped, Madhubala, the most beautiful actress in the country was
declared 'box office poison!' Further, she had gotten involved with Dilip
Kumar and this took its toll on her as she could not face her father's
opposition of him and ultimately had to bow out of Naya Daur (1957)
opposite him following a scandalous court case.
She however bounced back with a string of hits in the 1958-60 period -
Phagun (1958), Howrah Bridge (1958), Kala Pani (1958), Chalti ka Naam
Gaadi (1958) - all among her more memorable films and of course
Mughal-e-Azam (1960).
As the club dancer in Howrah Bridge Madhubala never looked more
beautiful or alluring as she swayed to the seductive notes of Aaiye Mehrbaan.
And she matched Kishore Kumar step by step in his madcap antics in
Chalti Ka Naam Gaadi. However it was Mughal-e-Azam that saw perhaps her
greatest performance as the doomed courtesan Anarkali. The film showed off
the finely modulated depth she could bring to her performances if given
the opportunity. It is an outstanding performance in an outstanding
film.
Tragically by now she was diagnosed as having a hole in her heart and
her illness forced her to abbreviate her career. She also plunged into a
loveless marriage with Kishore Kumar and lingered on for nine years
till her death in 1969.
She did have the odd release in this period like Passport (1961), Half
Ticket (1962) and Sharabi (1964) but they were mostly old films that
managed to limp towards release. In fact Jwala released almost two years
after her death in 1971! She did try making a comeback opposite Raj
Kapoor in Chaalaak (1964) but collapsed on the sets on the very first day
of shooting and the film was shelved.
Even today the very mention of the name Madhubala conjures up the image
of those dancing eyes, that lopsided smile...
Memorable Films
Dulari (1949)
Mahal (1949)
Badal (1951)
Sangdil (1952)
Amar (1954)
Mr. and Mrs. 55 (1955)
Gateway of India (1957)
Chalti ka Naam Gaadi (1958)
Howrah Bridge (1958)
Kala Pani (1958)
Phagun (1958)
Barsaat ki Raat (1960)
Jhumroo (1960)
Mughal-e-Azam (1960)
Half Ticket (1962)