.
Happened to watch Khamoshi (1969) this weekend, it was due for long and finally found a good print on Youtube. It's certainly one of the finest movie ever made in history of Bollywood. This is so haunting I couldn't sleep well that night and unrest lasted for couple of days. I'm not good at writing reviews so found a good one that do justice to the movie. Movie is pure classic and deserves 5 star!
One of Waheeda Rahman’s landmark movies, Khamoshi was way ahead of its time in terms of its bold plot and courageous climax.
Frame by frame, the film was like a well-planned project that leaves its impact on the viewer by focusing on the inner turmoil of the protagonist — Radha (played by Waheeda). One rarely finds a Hindi film that revolves around a female character and rarer is the control while zooming in on the leading lady.
Waheeda is absolutely at her best in the film with subtle change of moods. Her eyes speak a thousand words. Without resorting to any fretting or ranting, she sails through like a huge ship on an ocean. That year, she was nominated in the Best Actress category at the Filmfare Awards but missed it narrowly. Rajesh Khanna and Nasser Hussain (as the head doctor of the asylum) also deliver solid performances, while Dharmendra’s is only a guest appearance. But the way Dharmendra’s presence has been treated tells us a lot about the director’s mature handling of the subject. The actor hardly faces the camera but leaves a lot of impact. His appearance in flashes depicts that he is the dream man of the protagonist whose dream remains unfulfilled. The film is technically sound and the dialogues are pithy and striking.
Innovative cinematography by Kamal Bose makes it a work of art. Bose later got the Filmfare Award for his exquisite work. Music, directed by Hemant Kumar, is another strong point of the movie. Gulzar’s golden words combined with melodious compositions weave the ultimate romantic atmosphere with a touch of reality. All the songs are among the all-time hits and the singers are extraordinary in their performances.
Be it “Tum pukar lo…tumhara intezaar hai” by Hemant Kumar, or the “Woh shaam kuch ajeeb thi” by Kishore Kumar or “Humne dekhi hai in aankhon ki mehekti khushboo” by Lata Mangeshkar, each one is just magic to the ears.
The movie is one of the gems that would always make the Hindi film industry feel proud of its past.
Read Full Review: http://www.hindu.com/mp/2008/08/16/stories/2008081653140600.htm